Fourth Annual
Rose City International Conductor's Workshop

July 21-27, 2008
Portland, Oregon
History of the
Rose City International Conductor's Workshop
About the orchestra
In the winter of 2005 the musicians of the Rose City
Chamber Orchestra approached their guest conductor
Ken
Woods to see if he would be interested in starting a new
summer institute for young conductors.

After
Christopher Zimmerman, Chair of Orchestral
Conducting at the Hartt School of Music and
Benjamin
Zander, Music Director of the Boston Philharmonic joined
the faculty, the first Rose City International Conductor's
Workshop attracted applicants from throughout the US and
Spain, Germany, Canada, South Korea, Argentina, Mexico
and the United Kingdom.

The first four-day workshop took place on the University of
Portland campus. When Maestro Zander fell ill at the last
minute,
Raymond Harvey, Music Director of the Kalamazoo
Symphony joined the faculty.

In 2006 the workshop moved to the campus of Warner
Pacific College, in the leafy neighborhood of Portland's
Southeast side.

Cheered by the success of the first two workshop, and
invigorated by the experience of working with so many
talented young conductors, the musicians of the orchestra
look forward to a long future for the workshop, and have
made it their goal to make the Rose City International
Conductor's Workshop one of the finest conductor training
programs in the world.
The Rose City Chamber Orchestra first came into
being in spring of 1998. A small group of musicians,
who felt that their needs were not being met in the
greater Portland community, decided to venture out
on their own and establish a small chamber
orchestra together. The goal of the musicians in the
Rose City Chamber Orchestra was (and continues
to be) to achieve the highest quality musical
experience to be enjoyed by both performers and
community. The "premiere" concert was performed
by the orchestra on April 5, 1998 and conducted by
Tim Hankewich, former conducting apprentice for
the Oregon Symphony, and now Assistant
Conductor for the Kansas City Symphony. The
"premiere" concert was a huge success, and the
Rose City Chamber Orchestra was well on its way
to becoming one of the most talked about and
highly respected chamber orchestras in Portland.
The Rose City Chamber Orchestra is unique
because the orchestra is run by the musicians
themselves. All members of the Rose City Chamber
Orchestra are empowered in all decision-making
processes to the extent that each individual wishes
to be. Those decisions range from the conductors
engaged to the music performed. Everyone has a
voice.

The orchestra does not have a permanent music
director.  Each concert features a different
conductor, or the orchestra may choose to play
without a conductor on repertoire that benefits from
the unique communication and intimacy that results
from a concert sans chef. When we do have a
conductor, the orchestra has been extremely
fortunate to engage excellent leaders from across
the country. Kenneth Woods was appointed
Principal Guest Conductor in May of 2005.
-Student Comments on the 2005 Workshop-
Faculty available to us? Yes. Absolutely! It was great to
have the teachers be so approachable.
I really had a great experience in Portland last week,
and wanted to thank you again for your helpful
instruction and for your part in putting together the
workshop.  This experience has encouraged me to apply
in the fall to DMA programs in conducting.
The best organized and most helpful conducting
workshop I have been to.
Fantastic choice of repertoire- I loved working on the
Don Giovanni Excerpts with the singers!
I loved the intensity- not a wasted minute in four days
Thanks for all your work! It was a great workshop!
The orchestra was so supportive and the teachers were
incredibly accesable and supportive
This well-organized Rose City Conducting Workshop
was the best conducting workshop I have attended.  
Ample podium time with a professional orchestra allowed
for an in-depth journey into well-chosen repertoire.  The
team of three experienced professional conductors and
teachers was very responsive to the needs of each
participant.  Their accurate analyses translated into
succinct instruction that went far beyond mere technique
in order to elicit and help develop conducting skills that
can lead to a meaningful interpretation of the music.  
Faculty and staff were utterly supportive and made
working on a high artistic level fun.